ACTING AT EĆLIA
Undergraduate Program
FIRST YEAR
SECOND YEAR
THIRD YEAR
History of the Performing Arts 1
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ļ»æActing Studio Practice 1&2
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ļ»æActing Systems 1&2
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ļ»æBody Awareness Techniques
ļ»æOral Expression for the Spoken Voice 1&2
Music Theory and Sight Reading 1
Voice 1 (includes Estill Voice Training Model)
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ļ»æEnsemble Singing Laboratory (beginners) 1
Individual Singing Lessons 1
ļ»æHistory and Theory of Dramatic Literature 1&2
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ļ»æ60 credits
More details
At EĆLIA, the Acting concentration of the BFA Program, with subconcentrations in Musical Theatre or Film and Television covers the following subjects:
History of the Performing Arts
Acting Studio Practice
Acting Systems
Movement
Voice
Music and Singing
History and Theory of Dramatic Literature
Performance and Communication Theory
Theatre Production and Management
Dramaturgy
Aesthetics
Theatre Pedagogy
Staging
Character Design
Electives
Final Project
Practicum
History of the Performing Arts 2
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Acting Studio Practice 3&4
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ļ»æActing Systems 3&4
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Movement 1&2
Oral Expression for the Spoken Voice 3&4
Individual Singing Lessons 2
Performance and Communication Theory 1&2
History and Theory of Dramatic Literature 3&4
Electives
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60 credits
Theatre Production 1
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Acting Studio Practice 5&6
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ļ»æActing Systems 5&6
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Movement 3&4
Dramaturgic Analysis: Shakespeare
Dramaturgic Analysis: Beckett
Oral Expression for the Spoken Voice 5&6
Aesthetics
Latest Trends
Electives
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60 credits
At EĆLIA, the acting department has always benefited from its direct contact with the professional world.Everyday in their classrooms, actors, actresses, playwrights and professional directors have found (and continue to find) a space to grow and explore new concepts, either as teachers or as students.
Acting at EĆLIA takes an eclectic approach (including different techniques and styles that are constantly reevaluated and renewed) to expand the acting range of our students āaspiring actors and actressesāas much as possible, providing them with the tools and helping them discover what it is that makes them different and therefore unique as communicators and as actors.
FOURTH YEAR
Staging and Theatre Directing
Theatre Pedagogy 1
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Acting Systems 7
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ļ»æApplied Dramaturgy
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Physical Theatre
Dance Composition Workshop
Oral Expression for the Spoken Voice 7
Makeup
Costume Design
Electives
Final Project
ļ»æ60 credits
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MUSICAL THEATRE sub-concentration
Musical Theatre technique
- Voice 2 (includes Estill Voice Training Model)
- Repertoire performance workshop (intermediate/advanced) 1
- Music Theory and Sight Reading 2
FILM AND TELEVISION sub-concentration
Film and Television Technique
- Acting for the Camera 1
- Acting for the Camera 2
ELECTIVES - YEAR 2
ELECTIVES - YEAR 3
MUSICAL THEATRE sub-concentration
Musical Theatre technique
- Voice 3 (includes Estill Voice Training Model)
- Repertoire performance workshop (intermediate/advanced) 2
- Music Theory and Sight Reading 3
FILM AND TELEVISION sub-concentration
Film and Television Technique
- Acting for the Camera 3
- Acting for the Camera 4
- Camera Practice 1
MUSICAL THEATRE sub-concentration
Musical Theatre technique
- Professional Repertoire Audition
FILM AND TELEVISION sub-concentration
Film and Television Technique
- Camera Practice 2
ELECTIVES - YEAR 4
CURRICULUM - UNDERGRADUATE ACTING
For more details, please click here.
The BFA in Acting is structured as follows:
Subject category
Basic training (BT) --- 22 credits
Required (R) --- 170 credits
Electives (E) --- 33 credits
Final project (FP) --- 15 credits
Total credits --- 240 credits
CREDITS
ACADEMIC CALENDAR
OUR ACTING PHILOSOPHY
(under construction)